Wednesday, November 28, 2012
A little early Christmas gift
Monday, November 26, 2012
Guest Blogger - Keira Kroft
Monday, November 19, 2012
Thanksgiving Bloghop
Saturday, November 17, 2012
Passionate Harvest - FREE! this weekend!
Friday, November 16, 2012
Guest Blogger - Iris Blobel
Sunday, November 11, 2012
Guest Blogger - Lisa Greer
Friday, November 02, 2012
The Cinderella Substitute is out!
Wednesday, October 31, 2012
Monday, October 29, 2012
Did ya miss me?
Saturday, October 20, 2012
Guest Blogger - Adelle Laudan



Thursday, October 18, 2012
Surfacing briefly!
Monday, October 15, 2012
Guest Blogger - I do not 'heart' writing systems - Phillipa Ashley
Now, I preface this post by stating categorically: No Book Is ‘Easy’ to Write. The novel still took me nine months of daily writing to produce 90,000 words, edit them and then rewrite some of them. Yet for once, I enjoyed every moment of the process, had several offers for the book and not too much in the way of edits from my agent or editor.
Before you think I’m a smug git, I will happily admit to most of my books giving me a great deal of trouble and for a couple to have had a *lot* of rewriting and then some. One or two hurt even to think about but not Miranda, and I’ve asked myself why. Did I discover a magical new writing system to help me create the plot and develop the characters? The Post-It method? Card files? Character wheels? Zodiac signs? Unfortunately not: which means I probably won’t be able to replicate that glorious feeling again.
I’d describe myself as a ‘pantster’ rather than a ‘plotter’ and to be honest, I’m not a lover of writing methods and systems. Now, the unkind might say that shows in my novels but the truth is that I find ‘systems’ stifling to my creativity and to my strange way of thinking, they relegate writing to a slog rather than pleasure. Worst, they drag me outside my story and remind me that it’s not, actually, true. That’s not to say that many writers find a system or method that works for them. It’s probably just me... maybe chaos is my process.
Or perhaps, this being my sixth novel, I’ve finally learned a few things. I’ve learned to spot when I’m heading down a blind alley and to ask sooner: why? Because in essence, isn’t that three letter word is the key to all stories? Asking why a character has acted or is acting or will act in a certain way is the essence of the plot of a romance novel. If people’s motivations aren’t clear or credible, the story just won’t work for the reader. If you ask ‘why’ often enough, it may lead you down a completely different route to the one you’d plotted. It’s hard to let go of a plan or worse, to delete thousands of words, but sometimes you have to do it.
With Miranda’s Mount, the inspirational part came when I got the idea, which came out of the blue on a car journey. Immediately, I knew the setting and the main reasons why my hero and heroine would be in conflict externally and their internal conflicts developed along the way. I really tried to make sure I had those motivations at the front of my mind at every stage of the novel. As a result, the characters spoke to me from the first page to the end, with very few silences in between.
Or maybe I just got lucky this time... I’d love to know if you’ve found any writing processes that worked well for you.
Miranda’s Mount When Miranda finds herself fighting for her home, her job and her heart, sleeping with the enemy may not be the best tactic… With no family of her own, Miranda Marshall has developed a healthy respect – some would say obsession – with other people’s histories. As property manager of a spectacular island castle in Cornwall, she’s made St Merryn’s Mount one of the UK’s most popular heritage attractions. While she may have the castle running like clockwork, Miranda hasn’t bargained on its sexy owner returning to claim his birthright. Dark, handsome and with a rakish reputation, Jago St Merryn not only looks like a pirate but is intent on flogging the Mount to a soulless leisure corporation. Miranda faces the battle of her life as she tries to persuade him to face up to his past and continue the St Merryn dynasty. But Jago has his own reasons for jumping ship and when he throws down the gauntlet to Miranda, she’s forced to delve into painful memories she’d much rather keep hidden… Amazon US Amazon UK AmazonUK
www.phillipa-ashley.com
Twitter @PhillipaAshley
Friday, September 28, 2012
Coming soon - The Cinderella Substitute
Thursday, September 27, 2012
Behind the scenes of Be My Hero
Wednesday, September 26, 2012
I'm visiting Kate Hardy today!
Monday, September 17, 2012
Guest Blogger - Carol Hedges
Carol decided to become an Indie author, and has just published her firsrt YA novel, Jigsaw Pieces on Amazon Kindle. She is currently working on her next ebook, a Victorian detective novel, with werewolf.
Carol lives in Hertfordshire, with her husband, a pink 2CV, two cats and a lot of fish. She has one grown up daughter.
To celebrate the release of her latest novel, Jigsaw Pieces, Carol kindly agreed to allow me to interrogate, um, I mean interview her.
1. Most authors are also big readers. Do you read the same genre you write? and which book has influenced you most in your desire to be a writer?
I am a voracious reader - one of those who always has a stack of books by the bed - which follow me round the house. I don't read YA novels, actually I don't think of myself as a YA author, but as a writer of crime fiction that just happens to have teenagers as the main protagonists. I find it a bit tedious that we have to be categorised all the time! But I do read a lot of crime fiction and thrillers: Henning Mankell, Robert Harris are two favourites as well as Dickens ( well, he writes crime fiction, in a way). In answer to the last part of the question, I could give a frivolous answer and say Orlando the Marmalade Cat, as Kathleen Hale was the first author I borrowed from our tiny local library, when I was 6. The luscious illustrations and funny kittens were an early source of inspiration. Maybe that's why I have so many kittens on my Facebook page! Seriously though, I can't say one book has influenced me; I think the concept of THE BOOK is what inspires me and drives me to write.
2. Are you a plotter or a pantster when it comes to writing your books?
Because I write crime fiction, I have to be a bit of a plotter. I need to work out what the crime will be in advance, and who is the perpetrator. And I need to know how everything will end. Then I just fly by the seat of my pants, because it's more exciting that way. I always try to end a writing session on a cliff-edge, so that I return to a challenge. Being a pantster means that I'm open to new things happening, and I don't panic if the narrative starts veering off-course, because there is no course. Though there is an ultimate destination.
3. If you were giving a dinner party, which 4 fictional characters would you most like to invite and why?
Oh gosh, what a HARD question! Well, one of the guests would be Scarlett O'Hara from Gone With the Wind because she's the original Steel Magnolia, isn't she. And then, I'd invite Kurt Wallander, because his Swedish reserve would be an interesting contrast. My third dinner guest must be Scout from To Kill a Mockingbird because I just love the way she reacts to situations and people in Maycomb. My last guest? Ooh, pure indulgence: Mr Darcy from Pride and Prejudice. I adore a man with a crumbly interior. And a wet shirt - no no,wait, that's Colin Firth.
4. What are you working on next?
I'm on the final edits of an historical novel set in 1860. It's called Diamond Girl and is 'Victorian-lite' in that, although researched up to the brim, it's written in a fast-paced and (I hope) humorous style. It also pokes gentle fun at some of the Victorian novel cliches:the bumbling detective, the ragged crossing sweeper, the over-managing mother. Did I mention the werewolf? I hope to get it uploaded around Christmas.
Many thanks to Carol for stopping by today. Jigsaw Pieces is available from AMAZONUK
Here's the blurb!
‘He had been part of my everyday life. I hadn’t liked him much, nobody had liked him much, but he’d been there. Now, I’d never see him again.’ Annie Skjaerstad had been searching for her identity since being uprooted from her native country of Norway. With a spiky personality winning her no friends, and family members suddenly torn out of her life, she is left seeking comfort from a growing intrigue into the stories of fallen war heroes. But one day, a boy from her school unexpectedly commits suicide, changing things forever. Confused by the tragic tale of someone she knew, Annie soon finds herself conducting her own investigation into his death. What she uncovers will bring her to a dark and dangerous place, as suddenly – her own life is put at risk. A tense, coming of age crime thriller by the author of ‘Dead Man Talking’.